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001_Multi_country__The_Cities_Behind_The_Stories_Kiss_From_The_World_travel_and_people_magazine

The Cities Behind The Stories

If you're a reader or a writer, you must know the experience. You're travelling or on holiday somewhere, sitting at a cafe in a small village square. A group of locals are sitting opposite and begin a heated debate about something. The tempo rises. All of a sudden one man jumps to his feet and begins remonstrating with the others, making hand gestures you may not know but which you can guess the meaning of. You don't know the language well but you don't need to. You can guess what is being said. Not that you will be right – but you don't need to be right. Your version of what is being said could well be more interesting than the real one. Perhaps you are in Corsica and you know the reputation for family feuds and murders. The swarthy man has been accused of not avenging the murder of his cousin, Alberto. He has shamed the family. The sister says she is ashamed to be his sister. The swarthy man accuses her of having had an affaire with said dead cousin. Now the mother is on her feet. "Is this true?"

"No of course not, he would say anything to divert attention from his own guilt. He's a lying dog."

"It's true enough," says another woman, "Alberto promised he'd marry me but she wanted to keep him for herself – her bit on the side!"

"Don't you speak about my sister like that, you lying bitch!" says the swarthy man, "I'll kill you!"

"Yes you would, you bastard," replies the woman, "like you killed your cousin because you were jealous. It's well know that you were infatuated with your ugly sister. You wanted to keep her pure, like a princess, you weirdo!"

The argument continues with various members of the cast restraining each other until finally they are buying more drinks, hugging and celebrating their love for one another. You turn to your partner and say, "God, there's a story in that!"

Of course, many such opportunities are lost. I always used to try to keep a notebook with me to avoid forgetting, but often found myself without one. Nowadays, I nearly always have my i-phone with me so can add it to my 'Story Ideas' within Notes. Sometimes I don't find these notes until a year later, by which time the story has changed in my head. If they were the notes of a police constable that would be a problem, whereas with a writer of fiction it is a positive advantage.

Most of my short stories these days come from this kind of situation. When I first began writing short stories, I had a lifetime of remembered experiences to work with – an early life living in countries not of my own culture – but those mines have probably already given up most of their greatest riches. These days I need to find inspiration from elsewhere, and cafe tables are a good source. I have other favourites. The residents' lounge of an old people's home, where people are desperate to tell someone their story. Transport cafes where truck drivers and commercial travellers regale each other with tall tales of the road. The unemployment benefit office waiting room. Police stations. Railway carriages and buses – these are especially fruitful on market days in rural areas, where gossip among passengers is rife. Park benches where old people and winos congregate. Bars late at night are superb places for story inspiration. A weathered man, hung over a metal counter with a pained expressions of regret. What is his story? An ageing women with badly applied make-up, relentlessly stirring a cup of coffee. Does she have a family? Why is she alone? Sometimes I find a way to strike up a conversation with such people, but it's not necessary. Imagination can fill the gaps. Fiction is stranger than truth, as they say.

"Might one ask what you're writing about?" croaks the woman opposite.

It is 2am at an all night cafe in Pigalle, a seedy red-light quarter of Paris. The lines around her painted lips suggest her voice is the result of a lifetime's dependency upon the Gauloise cigarettes I can see in her cheap plastic handbag. She looks poor but she's drinking a cocktail with all the paraphernalia in it – fruit, mint, twizzle stick, parasol. She was probably beautiful once. Now her hair is growing thin from years of peroxide abuse.

"Of course. They are just notes I make when I have ideas."

"Ah bien sure, cheri," she replies, taking my hand gently, "but what sort of ideas? Ideas for what? Are you a policeman – a detective hunting for a murderer, perhaps? Or do you make movies?"

She smiles as she strokes my hand. Her teeth do not do her any favours.

"I write stories."

"Ooh," she replies, suggesting a kind of relish of something mysterious, "detective stories? Des histoire erotique peut etre?"

"Excursions into the lives of others," I reply. I translate it to be sure she has understood.

"Yes I understand," she says. "I have been on many such excursions. I have looked through the windows of so many souls, good and bad. Bad mostly…. No it is not true. I have loved many men. Women too. They are my constant companions, yet I remain alone. I have come to prefer it that way. Or perhaps I have no choice – it is my destiny. I share their journey for a while and then we part. It is my life."

"Why do they leave?" I ask, "Or why do you leave?"

"They die. These days anyway, mostly they die. It is my destiny, and theirs. But they die happy. I no longer have the power to attract young men like you."

She laughs and looks deep into my eyes. Incredible eyes she has. The eyes of a girl.

"So what do you seek in life…I'm sorry, I don't know your name."

"Marielle," she replies. "Enchante."

I tell her my name – except not my real name, of course.

"What are you seeking at this stage of your life, Marielle?"

"The same as always," she says, looking up from her cocktail. "I don't seek wealth, fame or a big house. Just someone who will hold me all night."

"But is that so hard to find?"

"Ah, you'd be surprised, cheri!" she laughs. "Men want to jump on your bones and then go. They promise not to – many promise not to. They probably can't help it. Maybe I am hard to love. And women? There is always a man somewhere who they left behind. They hate them, but when they call they will go."

I thank her for her conversation and go to pay. I try to pay for her drink but the bearded woman at the counter simply tut-tuts and waves her finger. Despite my desire to close the door gently it closes with a harsh bang. I get as far as the corner before my conscience gets the better of me. As with her, perhaps destiny drove me back, or a desire to be able to help someone less fortunate than myself. It would cost me nothing to make her life happy just for one night. Arriving at the bar I hesitate before opening the door. Through the condensation on the window, I see her stroking the hand of an elderly gentleman. Her long fingers removing his gloves, the same grey toothed smile. Turning to walk away I catch the eye of the woman at the counter. Again that wagging finger.

The Author, Mark Swain, is a writer of two books of short stories. He gains much of the inspiration for these stories from his travels. Travels that take him under the surface of the locations, into the lives of others. The books "Special Treatment & Other Stories," which includes the international prizewinning story of that name, and "The Truth In The Lie," are available internationally from Amazon and Smashwords.



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Mark Swain was born in Singapore in 1958, where his father was stationed in the RAF. He has lived in many countries, and as a young man found it hard to break the habit of a nomadic life, spending a great deal of his youth hitchhiking around Europe.With a low boredom threshold, Mark has had dozens of jobs and quite a few careers, but only one wife. Studying Graphic Design at Hastings College of Art, he ran off and joined the Army in search of adventure. Later he found himself travelling the world on the QE2 as a silver-service waiter and caught up in a war. This life has given him plenty of source material and inspiration for writing.Mark particularly enjoys the Short Story form, admiring American short story writers such as Raymond Carver, Richard Brautigan and Richard Ford as well as classic short story writers Franz Kafka and Anton Chekov. He is also a great admirer of George Orwell, John Steinbeck, Norman Maclean, Albert Camus and Jonathan Raban. Two collections of Mark's own short stories - including the award winning story 'Special Treatment' - have been released by his UK publisher, Tinderbox Publishing Ltd along with the bestselling "Long Road, Hard Lessons" a non-fiction book with photographs and maps about a 10,000-mile life-changing cycle journey he made with his teenage son from Ireland to Japan.Shoehorned into his busy life, Mark enjoys film, motorcycling, long-board surfing, cycle touring, English micro-pubs, growing vegetables, travelling in his VW Camper-van, drawing, painting and sculpture. He is at home in England, but is constantly travels.



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